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"Aguas sólidas y piedra líquida" 
  Aguas Sólidas y Piedra Líquida
(Solid Waters and Liquid Stone)
Ramón Berríos

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Competition Guidelines
Town of Toa Alta
About the Area

Traditional town centers are the urban counterpart of the rural imaginary, prevalent, as a rule, in representations of Puerto Rican identity. The transformation of a rural economy into an industrial one after the 1950s, favored other settlement forms, particularly suburban developments spurred by the potential of the automobile. At present, urban centers compete with shopping mega-structures. Having experienced substantial population losses in the last decades, they are now reduced to mere service centers.

The Project for the Revitalization of Traditional Urban Centers of the Department of Urbanism, promotes the qualitative regeneration of public space as the first step of a resettlement strategy. This initiative has offered artists a vast stock of public spaces and buildings, as a means of adding art to the heart of island towns. Such works should celebrate the characteristics of each town without falling prey to nostalgia or a false reconciliation with populist expressions. The selected works evidence a vast array of formats and themes, that range from the praise of natural landscape to bolder visions, committed to the future of these strongholds of everyday life in Puerto Rico.
Aphorism

Technical description:
34 x 6 ft. wide
Cream-colored boticcino perlato marble

Aguas Sólidas y Piedra Líquida is a naked glimmer, a visual link between the façade of Toa Alta's colonial church and the tree that adorns the square. The theme running through the sculpture is the daily, constant web that makes up the days and the hours; the identity and the roots; the past, the present and the future lives of this town, which is also, in a way, our own town.

The web is a common reference, a protective blanket, another way of safeguarding our bodies. "To me, the web is, first of all, memory; the place of origin of ideas; a locus with no borders, like water."
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