 |
 |
|
||||||||||||||
|
|
|
|
|
|
|||||||||
|
||||||||||||||
 |
|||
|
|||
| See the News Archive. Get to know some events about this site and the projects that made the news here. News Archive. |
 |
| Proyectos nuevos en línea Terrains vagues: Los vacíos no reclamados Intersección PR 52 y PR 53 Charles Juhasz: Jardín alado |
 |
| Avenidas de crecimiento lineal Avenida Roosevelt West 8 : Palio de bouganvilleas |
 |
| Los deportistas Baloncelista John Ahearn y Rigoberto Torres : Baloncelista |
 |
| La
barca de barro (The Ship of Clay) |
|||||||||||||||
| Víctor Vázquez | |||||||||||||||
| Great Window to the Sea Square, Condado |
|||||||||||||||
Select a phase to view more images:
|
|||||||||||||||
| Phase 2 | |||||||||||||||
| To stay or not to stay: that is the question. To speak about ships is to speak about travel; to evoke, spaces that are possible only in the imagination or in memory from a transient here and now; to travel over the mysterious immensity of water, always the same and always different. In La barca de barro ( The Ship of Clay ) the ship and the water are artifacts fused by distance in a ritual of mutual penetration, of mutual production. The observer participates in the paradox of traveling without moving, of going back to the origin by filtering his/her gaze through the clay skeleton of a ship anchored on stones. An immobile ship, anchored, wrecked, that reawakens our memories, like the wave returning to the coast, or like the ship that takes us back to the ontological rite of being. | |||||||||||||||
| Click on the images to zoom in. | |||||||||||||||
|
|||||||||||||||
|
